In the power pop anthems of Vine House, I hear echoes of Cheap Trick (“Killer on the Road”) early Who (the title cut), grungier REM (“Summer Fling”). Track after track on Young Regret is one more slice of melodic, hooky, punchy, immediate-gratification goodness.

Bandleader Mark Stancato has crafted one certifiable instant classic, the urgently glorious “Coffee Break.” It appropriates a speeded-up version of the chord progression of one of my all-time favorite cruising songs, Journey’s “Stone In Love,” over insistent, snappy drums.

“Rosalie” has a folkier feel – Gin Blossoms’ angst filtered through Byrds-like hippie-ness. Then comes the unique-yet-familiar “The Fall” – reggae-fied verses tumbling into the bittersweet, singalong chorus. “Mrs. Wallington” is a pretty, mid-tempo ballad, decorated with washes of organ. “Alibi” and “End of the Line” with punkish Stancato vocals and slashing guitars, are jump-from-the-speakers knockouts. Plenty of variety here, all vintage power pop.